{"id":1037,"date":"2018-12-31T15:21:50","date_gmt":"2018-12-31T15:21:50","guid":{"rendered":"https:\/\/wordpress.etypegoogle10.com\/?p=1037"},"modified":"2018-12-31T15:21:50","modified_gmt":"2018-12-31T15:21:50","slug":"lone-star-book-reviewsby-michelle-newby-nbcccontributing-editor-108","status":"publish","type":"post","link":"https:\/\/wordpress.etypegoogle10.com\/?p=1037","title":{"rendered":"Lone Star Book ReviewsBy Michelle Newby, NBCCContributing Editor"},"content":{"rendered":"<div id=\"articleHeader\"><\/div>\n<p id=\"u295340-20\"><span id=\"u295340-10\"><span id=\"u295341\"><span id=\"u295342\"><img loading=\"lazy\" decoding=\"async\" width=\"73\" height=\"74\" src=\"https:\/\/lonestarliterary.etypegoogle10.com\/sites\/lonestarliterary.etypegoogle10.com\/files\/description\/newby%2c%20michelle_headshot_sm.jpg\"  id=\"u295342_img\" \/><\/span><\/span><\/span><span id=\"u295340-11\">Michelle Newby<\/span> is a reviewer for <span id=\"u295340-13\">Kirkus Reviews<\/span> and <span id=\"u295340-15\">Foreword Reviews, <\/span>writer, blogger at TexasBookLover.com, member of the Permian Basin Writers&#8217; Workshop advisory committee, and a moderator for the Texas Book Festival. Her reviews appear in <span id=\"u295340-17\">Pleiades Magazine, Rain Taxi, Concho River Review, Mosaic Literary Magazine, Atticus Review, The Rumpus, PANK Magazine,<\/span> and <span id=\"u295340-19\">The Collagist.<\/span><\/p>\n<h1 id=\"u295340-30\">Lone Star Book Reviews <br \/>of Texas books appear weekly <br \/>at <span><a href=\"http:\/\/www.lonestarliterary.com\/\" target=\"_blank\" rel=\"noopener\">LoneStarLiterary.com<\/a><\/span><\/h1>\n<div id=\"u295349-62\">\n<p id=\"u295349-4\">WESTERN SUSPENSE<\/p>\n<p id=\"u295349-6\"><span>Adam Sternbergh<\/span><\/p>\n<p id=\"u295349-8\"><span>The Blinds: A Novel<\/span><\/p>\n<p id=\"u295349-12\">Hardcover, 978-0-0626-6134-0, (also available as an e-book, an audio book, and on audio CD), 400 pgs., $26.99<\/p>\n<p id=\"u295349-14\">August 1, 2017<\/p>\n<p id=\"u295349-18\">1. NO VISITORS<\/p>\n<p id=\"u295349-20\">2. NO CONTACT<\/p>\n<p id=\"u295349-22\">3. NO RETURN<\/p>\n<p id=\"u295349-26\"><span>Those are the rules in Caesura (rhymes with \u201cTempura\u201d), Texas (aka The Blinds),<\/span> population forty-eight, located somewhere outside Amarillo, enclosed by a fourteen-foot fence. A twist on the United States Federal Witness Protection Program (WITSEC), the population of Caesura are criminals (some are a \u201ccoiled trap,\u201d others are \u201cmore like a malfunctioning valve, a faulty weld, a crack in a storage tank leaking toxins\u201d). But they don\u2019t know that. A shadowy organization called the Fell Institute has perfected a method to wipe our memories, and made a deal with the U.S. Marshals to conduct a cruel neurological and psychological experiment. All has been peaceful in Caesura for eight years, but now there are two bodies, both shot to death.<\/p>\n<p id=\"u295349-37\"><span>The Blinds: A Novel<\/span> is the latest from Edgar-nominated author <span>Adam Sternbergh.<\/span> This novel is an original fusion of mystery, comedy, procedural, suspense, and western, seasoned with a bit of science fiction \u2014 <span id=\"u295349-32\">The Sopranos<\/span> meets <span id=\"u295349-34\">The Andy Griffith Show<\/span> meets <span id=\"u295349-36\">The Twilight Zone.<\/span><\/p>\n<p id=\"u295349-40\">Sternbergh has a lot of fun naming his characters: Each new citizen of Caesura is required to choose a new name using two lists; one list is the names of movie stars, the other is names of United States vice presidents. The result is characters named Spiro Mitchum and Doris Agnew, which had me giggling regularly.<\/p>\n<p id=\"u295349-43\">These characters are numerous and diverse, but because of the lack of backstories due to the memory wipes, they can\u2019t be complex, making identifying with them and caring about them challenging. There are a few exceptions. Sheriff Calvin Cooper, our anti-hero who\u2019s never had to load his sidearm until now, is given to rambling interior monologues. Sidney Dawes is Cooper\u2019s new deputy. She\u2019s officious, ambitious, and insubordinate. Fran Adams, former love interest of Cooper, is the only resident with a child, eight-year-old Isaac, born in Caesura. Fran\u2019s only memento of her previous life, other than Isaac, is a tattoo of a series of numbers encircling her wrist.<\/p>\n<p id=\"u295349-49\"><span id=\"u295349-45\">The Blinds<\/span> takes place over five days, but Sternbergh takes too long building to the action, and when the action begins the unrelenting violence becomes tedious. But the plot is intricate and creative, the foreshadowing is hair-raising, the twists whiplash-inducing. And you have to appreciate a plot that employs <span>Susan Sontag<\/span> essays as a major clue.<\/p>\n<p id=\"u295349-52\">Sternbergh can turn a phrase. During a town meeting, the \u201ccrowd pulsates in the heat, murmuring, fluid and combustible.\u201d In the bar, \u201ca defeated ceiling fan begins its exhausted rotation.\u201d When the climactic action begins, \u201cThe silences after the shots are the worst part. Then more shots, sharp reports, getting closer,\u201d a resident thinks, \u201cLike the knock of a census-taker, stopping at every door on the block, approaching yours.\u201d Channeling Davy Crockett, Cooper says, \u201cLet me stress that, despite the perimeter fence and the various rules, your residency here is not a punishment. You are not in jail. You are not in hell. You are in Texas.\u201d<\/p>\n<p id=\"u295349-57\"><span id=\"u295349-54\">The Blinds<\/span> is about community, retribution (\u201ca distant relative of justice\u201d), the possibility of redemption, and the role memory plays in identity. There\u2019s more than meets the eye to <span id=\"u295349-56\">The Blinds.<\/span><\/p>\n<p id=\"u295349-60\">* * * * *<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Michelle Newby is a reviewer for Kirkus Reviews and Foreword Reviews, writer, blogger at TexasBookLover.com, member of the Permian Basin Writers&#8217; Workshop advisory committee, and a moderator for the Texas Book Festival. Her reviews appear in Pleiades Magazine, Rain Taxi, Concho River Review, Mosaic Literary Magazine, Atticus Review, The Rumpus, PANK Magazine, and The Collagist. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1037","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/1037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1037"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/1037\/revisions"}],"wp:attachment":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}