{"id":1397,"date":"2018-12-31T17:02:33","date_gmt":"2018-12-31T17:02:33","guid":{"rendered":"https:\/\/wordpress.etypegoogle10.com\/?p=1397"},"modified":"2018-12-31T17:02:33","modified_gmt":"2018-12-31T17:02:33","slug":"lone-star-listens-norma-elia-cantu","status":"publish","type":"post","link":"https:\/\/wordpress.etypegoogle10.com\/?p=1397","title":{"rendered":"Lone Star Listens: Norma Elia Cant\u00fa"},"content":{"rendered":"
Texas \u2014 and the rest of the nation and world \u2014 is undergoing a rich resurgence of literature in all genres by Latino\/Latina writers. One major contributor to this renaissance is Dr. Norma E. Cant\u00fa, who has written eloquently from creative and academic perspectives. She shares her long view with us during the \u201cdog days\u201d when the stars of Canis Major dominate the summer skies and professors take time to reflect before a new teaching year begins.<\/span><\/div>\n
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LONE STAR LITERARY LIFE<\/strong>: Dr. Cant\u00fa, you published Can\u00edcula: Snapshots of a Girlhood en la Frontera<\/em> in 1995, and it won the Premio Aztl\u00e1n Literary Prize from the National Hispanic Cultural Center. You\u2019ve referred to Can\u00edcula <\/em>as a \u201cfictionalized memoir\u201d and an ethnography about your childhood in South Texas. Please tell us about Can\u00edcula <\/em>and the 2015 update.<\/span><\/span><\/span><\/p>\n

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DR. NORMA E. CANT\u00da<\/strong>: I wrote Can\u00edcula <\/em>in the summer of 1993 in Albuquerque during a break from teaching at what is now Texas A&M International University, where I taught English from 1980 to 2000. It was a watershed moment for me as I gathered pieces I had been writing all along. My intent that summer was to finish a book on the matachines tradition, but instead the stories of my childhood nudged their way in. Working on a rental computer\u2014we had no laptops back then\u2014I worked nonstop day and night taking brief breaks to walk to Old Town for a breakfast taco and to pick up some fruit for my evening meal. I published a few pieces in what was then the Texas Humanist, a publication of the Texas Committee for the Humanities, so I suppose I reverted to that format and structure out of habit, for I had been working with photographs as an exercise for my students. In 2010, I held a literary quincea\u00f1era for the book and in 2015 published a twentieth anniversary edition with added photos and stories.<\/span><\/span><\/span><\/p>\n

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LSLL<\/strong>: If you could dive through a wormhole in the space-time continuum, what advice and inspiration would you offer the child Norma as she weathers the dog days?<\/span><\/span><\/span><\/p>\n

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NEC<\/strong>: The child Norma spent the lazy days of the can\u00edcula in a four-room frame house in Laredo, Texas, where the dog days are particularly brutal. She would scavenge the local dump, or cascajera, with her siblings and neighbors in the morning when it was not so hot and spent the afternoon playing with the treasures they found and telling stories, making up fantastic tales. I would tell her to be patient and to treasure those days. As the oldest of eleven children, I grew up feeling super-responsible and cautious, so I would tell her to ease up and have fun. Life is short.<\/span><\/span><\/span><\/p>\n

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LSLL<\/strong>: You wear many hats: professor, editor, poet, novelist, memoirist, folklorist, arts administrator for the National Endowment for the Arts, and chair of the Chicano Studies Research Center at UC\u2013Santa Barbara, to name only a few. Which of these is your first love? Is it possible to make that distinction?<\/span><\/span><\/span><\/p>\n

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NEC<\/strong>: That\u2019s difficult to answer because all of these identities have been rewarding and have allowed me to grow. I can\u2019t make a distinction because many overlap as my \u201cfirst\u201d love or what I have been doing the longest. My first teacher was my grandmother Celia Becerra de Ram\u00f3n; when I was six or seven she taught me about healing herbs and set me on a path that respects our indigenous origins and the knowledge of the people, folklore. The one thing I have done the longest is be a professor or teacher. I first taught the summer I was twelve and opened an \u201cescuelita\u201d (little school) in our backyard for pre-school kids. I have taught literacy classes in the community, community classes for Georgetown University and of course, my regular university classes since 1973 when I taught my first college level class at what is now A&M University, Kingsville.<\/span><\/span><\/span><\/p>\n

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LSLL<\/strong>: What can you tell us about the founding of CantoMundo, the national Latinx poetry workshop, and your subsequent work with the workshop? How has that work changed since 2009?<\/span><\/span><\/span><\/p>\n

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NEC<\/strong>: We founded CantoMundo because it didn\u2019t exist. Pablo Miguel Mart\u00ednez, Celeste Mendoza, Deborah Paredez and Carmen Tafolla drove to my house and we sat around my dining room table\u2014a table, by the way, that I bought with the first royalty check for Can\u00edcula<\/em>. We are eternally grateful to Sandra Cisneros for the Macondo Writers Workshop, because that space allowed us to dream as poets for a space devoted totally to poetry and Latinx poets. We modeled it on Cave Canem, the space for African American poets, but when we launched our first workshop in New Mexico in 2007, we knew it was to become a permanent space that fulfilled the needs of Latinx poets in the United States. I committed to a five-year stint, and although it was bittersweet, I am glad I left the organization at that point, confident that it would survive.<\/span><\/span><\/span><\/p>\n

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LSLL<\/strong>: We began publishing Lone Star Lit in February of 2015. Since then I\u2019ve watched the publication of Latinx authors explode. In your opinion, what conditions have converged to make this movement possible and why now?<\/span><\/span><\/span><\/p>\n

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NEC<\/strong>: Actually, the \u201960s and \u201970s with the Movimiento Chicano literary renaissance we saw similar activity. Prior to that it had been the early years of the twentieth century when Latino literature was flourishing in the U.S., albeit mostly in Spanish-language publications. So, it is not new, but it is certainly necessary in these times to create and to write our stories. The difference perhaps is that in those previous eras, we were not in the mainstream and therefore not as noticed. I am thrilled that I now have so much to choose from for my Latinx literature classes\u2014and in all genres and subgenres from poetry, and fiction\u2014historical novels, and contemporary, of course, but also from science fiction to young adult as well as graphic novels!<\/span><\/span><\/span><\/p>\n

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LSLL<\/strong>: I have read that you consider writing to be an extension of your Chicana activism. What do you hope for the new Mexican-American Studies courses to be offered in Texas high schools? What would you like to see included in the curriculum? (Kudos to Tony Diaz and company here.)<\/span><\/span><\/span><\/p>\n

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NEC<\/strong>: Yes, kudos to Tony and Librotraficante, and to Dr. Liliana Salda\u00f1a and Dr. Angela Valenzuela and so many others. Invariably what I hear most often in my Latinx studies classes is the question: Why didn\u2019t I learn this in high school? My hope is that students, all students, not just Chicanx or Latinx students, will learn the history of our state and of the rich literary heritage we possess dating back to before we were a state.<\/span><\/span><\/span><\/p>\n

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LSLL<\/strong>: I noticed that your email signature contains the phrase \u201cCada cabeza es un mundo.\u201d In English, literally, each head is a world. It\u2019s a truth I have always found fascinating and it\u2019s the reason I read widely\u2014to experience other peoples\u2019 heads\/worlds. What does this concept mean to you personally, and why is it so important?<\/span><\/span><\/span><\/p>\n

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NEC<\/strong>: Dichos or adages contain knowledge passed from generation to generation. My paternal grandfather, Vicente Cant\u00fa, loved to quote dichos, and I guess I first heard it from him when presented by someone\u2019s baffling behavior, a kind of \u201cto each his own\u201d sentiment, live and let live. It is important to me because it reminds me to respect others\u2019 views and to honor the uniqueness each person represents. We are all different. Each one of us is a world, a world to explore, yes, but also to honor and respect.<\/span><\/span><\/span><\/p>\n

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LSLL<\/strong>: What can you tell us about your next project?<\/span><\/span><\/span><\/p>\n

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NEC<\/strong>: I am currently finishing a novel, Champ\u00fa<\/em>, or Hair Matters<\/em>, set in a beauty shop in Laredo, Texas, but I am most excited about the sequel to Can\u00edcula <\/em>that will be out in February. I also have a long-delayed collection of poetry, Meditacion Fronteriza\/Border Meditation<\/em>, to be published in fall 2019. Of course, I also have a number of academic projects: meXicana Fashion<\/em> that I am coediting with A\u00edda Hurtado, and another anthology on teaching Gloria Anzald\u00faa coedited with Candace K. Zepeda and Margaret Cant\u00fa S\u00e1nchez.<\/span><\/span><\/span><\/p>\n

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LSLL<\/strong>: What books are on your nightstand?<\/span><\/span><\/span><\/p>\n

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NEC<\/strong>: I just finished Erika S\u00e1nchez\u2019s I Am Not Your Perfect Mexican Daughter<\/em> and I just started Tell Me How It Ends: An Essay in 40 Questions<\/em>. I am also re-reading A Wrinkle in Time<\/em>. Poetry? I try to read a book in Spanish every month, and I just started El murmullo de las abejas by Sof\u00eda Segovia, set in the area of northern Mexico that I know so well.<\/span><\/span><\/span><\/p>\n

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Texas \u2014 and the rest of the nation and world \u2014 is undergoing a rich resurgence of literature in all genres by Latino\/Latina writers. One major contributor to this renaissance is Dr. Norma E. Cant\u00fa, who has written eloquently from creative and academic perspectives. She shares her long view with us during the \u201cdog days\u201d […]<\/p>\n","protected":false},"author":1,"featured_media":1396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[229,30,15],"class_list":["post-1397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-authorinterview","tag-lonestarlistens","tag-texasauthor"],"_links":{"self":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/1397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1397"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/1397\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/media\/1396"}],"wp:attachment":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}