{"id":526,"date":"2021-05-02T09:45:45","date_gmt":"2021-05-02T09:45:45","guid":{"rendered":"https:\/\/wordpress.etypegoogle10.com\/?p=526"},"modified":"2021-05-02T09:45:45","modified_gmt":"2021-05-02T09:45:45","slug":"589","status":"publish","type":"post","link":"https:\/\/wordpress.etypegoogle10.com\/?p=526","title":{"rendered":"Lone Star Listens: Chitra Divakaruni Stretching Boundaries"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">LONE STAR LISTENS: Welcome to Lone Star Literary Life, Chitra, and congratulations on the release of your latest novel, <a href=\"http:\/\/books.simonandschuster.com\/Before-We-Visit-the-Goddess\/Chitra-Banerjee-Divakaruni\/9781476792002\" target=\"_blank\" rel=\"noopener\"><em>Before We Visit the Goddess<\/em>.<\/a> As a reader, I really admire that with every creative effort it seems that you stretch your boundaries and that you\u2019re so productive.&nbsp;Since you published your first collection of poems, <em>Black Candle<\/em>, in 1991, you have managed a near-annual output across multiple platforms, from poetry, to short stories (<em>Arranged Marriage, The Unknown Errors of Our Lives<\/em>), to middle-grade titles (<em>Neela: Victory Song<\/em> and the three-volume Brotherhood of the Conch trilogy), and novels, including <em>The Mistress of Spices, Queen of Dreams<\/em>, and <em>One Amazing Thing<\/em>. A novel and short story have been transformed for the stage, while two other novels and another short story have had film debuts. Your novel <em>One Amazing Thing<\/em> has been optioned by Hollywood. And you did a children\u2019s picture book in 2013, <em>Grandma and the Great Gourd: A Bengali Folktale<\/em>. Your latest novel is a collection of stories\u2014a novel in stories\u2014that just came out April 19. Would you tell our readers, in your own words, what it\u2019s about?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>CHITRA DUIVAKARUNI<\/strong>: <em>Before We Visit the Goddess<\/em> is the tale of three generations of women\u2014grandmother, mother, and daughter\u2014beginning in India and ending up right here in Texas. The three women, each strong in her own way, search for success and independence, but each has to define for herself what exactly that means. The book asks the readers to consider the question of whether success means something different depending on where and when you live. It is also a novel about what we pass on to our children and grandchildren, lessons and legacies both positive and negative, and how our families can be both the source of our deepest strength and our deepest angst.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">You grew up in Kolkata, India. What was that like?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">It is difficult to describe in just a few words! Kolkata was vibrant, overcrowded, bursting with colors and smells. It is a very old and culturally active city, full of history, and I grew up with a love of literature, reading lots and lots of books, whatever I could get my hands on, in my mother-tongue Bengali and also in English. I also grew up in a very traditional family, where the expectation for my future was that I would get married and raise children, that&#8217;s it! I think we were all astonished when I turned out to be a writer!<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Then you attended graduate school in Ohio and in California. What was it like moving across the world to study, and ultimately, live?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">It was an amazing experience, at once exhilarating and terrifying. I had never lived on my own before this. I loved the freedom, but I really missed my family, friends and culture. the year I moved there, Ohio had its coldest winter in the last twenty years. Ice, ice everywhere, and I didn&#8217;t have a car, so I had to walk through it. I had never experienced such freezing temperatures in my whole life! That was a shock. I write about that in one of the stories in my collection <em>Arranged Marriage<\/em>, titled \u201cSilver Pavements, Golden Roofs.\u201d<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">There wasn&#8217;t much Indian food available in Ohio at that time, no Indian restaurants or groceries (though now there are many) and I craved the comfort foods of my childhood all the time. Maybe that&#8217;s why there&#8217;s so much food in my books now! By the time I moved to California, I was much more accustomed to America. I loved the multicultural nature of California, and a number of my books are set there. It was in California that I began to carefully observe immigrant life and the many challenges other immigrants also seemed to be facing. This gave me a subject matter worth exploring. My collection <em>Arranged Marriage<\/em> comes out of those observances, as does my magical-realist novel <em>The Mistress of Spices<\/em>.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">And for the past decade, you have called Houston home. What has that been like?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">I love Houston. It is very hospitable and wonderfully multicultural, and I am happy that I have made many friends here. The county I live in, Fort Bend County, is one of the most diverse in the entire country! That is not something people generally think of when they imagine Texas. I try to highlight this diversity in <em>Before We Visit the Goddess<\/em>, where Indian, black, white, and Hispanic characters interact with each other.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">How have Houston\u2014and Texas\u2014influenced your writing?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Texas has influenced my writing in many ways. First of all, when I came here, I started reading more Texan writers, especially writers of color, and that gave me a sense of the complexity and variety of lifestyles and history that we can find in Texas. Many people don&#8217;t know that at all. Texas welcomed my writing\u2014one of my young adult titles, <em>The Conch Bearer<\/em>, was chosen as a Bluebonnet List Book, and I was invited to join the Texas Institute of Letters. I have spoken at many schools and colleges where my books are being taught to students of different ethnicities, who all related to the books in different ways, and this strengthened my belief that literature can reach across communities, cultures, and races. This has given me a lot of inspiration to write my recent books.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">What\u2019s your creative process like\u2014how do you balance teaching at one of the nation\u2019s most prestigious creative writing programs, and concepting your own work?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Teaching at the University of Houston has also been very good for my writing. I teach in a nationally ranked creative writing program, so I am always in touch with wonderful writers\u2014my colleagues as well as my students. Teaching keeps me on my toes: I try to read many of the important new books, at least in the field of fiction. We discuss craft issues a lot of the time, so I am much more sensitive about my own craft choices. Time is always a challenge. Teaching takes up a lot of time and creativity, the same as writing. I\u2019ve had to divide my week into teaching days and writing days and I have to make an effort to stay really organized. On my writing days, I start in the morning and write for several hours until I get too tired (or too hungry!). I teach one semester a year and take off one semester to write. Otherwise I would not be able to research and write the books that I\u2019ve published.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">How has publishing changed in the three decades that you have been a part of it?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">E-publishing has really opened up the world of books. Books are now available in so many forms, and so much more easily if you have an e-reader. I myself read e-books all the time. Self publishing has become a really important thing. When I first started writing, self-publishing was&nbsp; looked down upon. But now many writers are publishing wonderful books through programs such as Amazon and making them available to so many readers. It is an exciting time!<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">On the other hand, I think traditional publishers are struggling more now. They are much more concerned about the bottom line, and whether a book can make money for them or not. They used to be less concerned about that when I first started publishing. There was more of an interest in publishing quality literature, including poetry, which generally doesn\u2019t make the publisher that much money. I am also concerned about the health of our independent bookstores. Because of chain bookstores and large discount book sites such as Amazon, they are struggling. I encourage our readers here to support them. There are several wonderful independent bookstores in Houston, such as Brazos Books, Blue Willow Bookstore, and Murder by the Book.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">How do you manage to write about India now that it has been a long time since you\u2019ve lived there?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">I visit India regularly and spend much of my time there taking notes and gathering ideas for books. Or eavesdropping, which is a great way to get ideas, too! Sometimes I already have the idea for a book, and I will go to particular places to research it.&nbsp; Because of the Internet, keeping up with India\u2014what&#8217;s going on there, as well as how people are thinking\u2014has become much easier. And I love Indian women\u2019s magazines. I\u2019m always asking friends to bring them for me when they go to India. that helps me keep track of the pulse of women\u2019s issues. Still, it\u2019s a struggle, since I don\u2019t live there all the time. Therefore, I make sure to have Indian readers who will look at my manuscript and tell me if there\u2019s anything I didn\u2019t get right. And several of my books are set in the India of an older time, for which I would\u2019ve had to do research anyway. For instance, the life of the grandmother in <em>Before We Visit the Goddess<\/em> was something that required extensive research since she belonged to the generation before mine.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">I read many interviews in which you talk about the importance of food in your books, and the importance of cooking for an immigrant to preserve their culture. Will you share more about that aspect of <em>Before We Visit the Goddess<\/em>?<\/span><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Food is extremely important in this novel, perhaps more so than in any novel that I\u2019ve written before this. Sabitri is the daughter of a skilled sweet-maker, and she herself is very talented in this field and goes on to open a famous sweet store in Kolkata that she names after her mother, to honor her. Many traditional Bengali sweets are lovingly described in this novel. My mother was an excellent sweet-maker herself, and I think she was at the back of my mind as I wrote some of these sections. Sabitri&#8217;s daughter Bela is also creative and adventurous, and she creates many wonderful fusion dishes. (Perhaps this is symbolic of the way in which she acculturates herself to America.) But the granddaughter, Tara, is not at all into cooking, a fact that causes a lot of tension between her mother and herself! Thus, in this novel food becomes a symbol for success, creativity, values that we pass on to the next generation, and ultimately rebellion.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">As a self-described foodie, have you experimented with the culinary blending of cultures of India and Texas? For example, like a curried chicken-fried steak?<\/span><\/span><\/strong><\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Ahahaha. I do like fusion cooking. I have a number of dishes that I&#8217;ve created and written up on my blog, at&nbsp;<strong><a href=\"http:\/\/t%20www.chitradivakaruni.com\/blog\/\" target=\"_blank\" rel=\"noopener\">www.chitradivakaruni.com\/blog\/<\/a><\/strong>. Curried chicken-fried steak\u2014 not yet. But there&#8217;s an idea!<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">* * * * *<\/span><\/span><\/p>\n<div id=\"u122440-41\">\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Praise for Chitra Banerjee Divakaruni&#8217;s works<\/span><\/span><\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">\u201cThe always enchanting and enlightening Divakaruni spins another silken yet tensile saga about the lives of women in India and as immigrants in America\u2026. Divakaruni\u2019s gracefully insightful, dazzlingly descriptive, and covertly stinging tale illuminates the opposition women must confront, generation by generation, as they seek both independence and connection.\u201d \u2014Booklist (starred review)<\/span><\/span><\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">\u201cRichly drawn characters\u2026a novel of quiet but deeply affecting moments.\u201d \u2014Kirkus Reviews<\/span><\/span><\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">\u201cThree generations of headstrong Bengali women, their passions, secrets, regrets and mysteries, come to life through Divakaruni\u2019s storytelling wizardry\u2026 Divakaruni brings us from the poor villages to the upper crust urban families, from India to Texas, to show how three courageous women struggle toward independence.\u201d \u2014BBC.com<\/span><\/span><\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">\u201cThe best storytellers always keep you coming back. They have their unique signatures, a unique voice, that enchants the reader and draws them back to listen to one story, then the next and then the one after that. Chitra Banerjee Divakaruni is one such masterful story smith. I am done with reading <em>Before We Visit The Goddess<\/em> for now, but I keep thinking about the characters, and I know that a re-reading is in store for the future.\u201d \u2014The Reading Desk<\/span><\/span><\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">\u201cWith the barest touch of magical realism, <em>Oleander Girl <\/em>whisks the reader into the layered intricacies of love affairs, family, Indian social class, racial prejudice and religious tension. . . . [Divakaruni] delivers an absorbing modern fairy tale about an orphan in search of the messy truths of family and love.\u201d \u2014<em>San Antonio Express-News<\/em><\/span><\/span><\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">\u201cA many-faceted story of discovery&#8230;. <em>Oleander Girl<\/em> is part mystery, part search, but mostly the story of a young girl finding herself and deciding where she belongs.\u201d \u2014<em>Seattle Times<\/em><\/span><\/span><\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">\u201cAn orphan teen raised by her grandparents in India finds the love she always searched for, but a newly unearthed family secret may interfere.\u201d \u2014Oprah.com, \u201c16 New Books to Get Lost in This April\u201d<\/span><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Interview with Houston author&nbsp;Chitra Divakaruni<\/p>\n","protected":false},"author":1,"featured_media":525,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[229,53,30,8,15],"class_list":["post-526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-authorinterview","tag-interview","tag-lonestarlistens","tag-lonestarliterarycom","tag-texasauthor"],"_links":{"self":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=526"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/526\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/media\/525"}],"wp:attachment":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}