{"id":54,"date":"2018-12-31T10:34:05","date_gmt":"2018-12-31T10:34:05","guid":{"rendered":"https:\/\/wordpress.etypegoogle10.com\/?p=54"},"modified":"2018-12-31T10:34:05","modified_gmt":"2018-12-31T10:34:05","slug":"lone-star-book-reviewsby-michelle-newby-nbcccontributing-editor-5","status":"publish","type":"post","link":"https:\/\/wordpress.etypegoogle10.com\/?p=54","title":{"rendered":"Lone Star Book ReviewsBy Michelle Newby, NBCCContributing Editor"},"content":{"rendered":"<div id=\"articleHeader\"><\/div>\n<div id=\"u7100-9\">\n<h1>Lone Star Book Reviews <br \/>of Texas books appear weekly at <span><a href=\"http:\/\/www.lonestarliterary.com\/\" target=\"_blank\" rel=\"noopener\">LoneStarLiterary.com<\/a><\/span><\/h1>\n<\/p><\/div>\n<div id=\"pu7098-21\">\n<div id=\"u7094-88\">\n<p id=\"u7094-4\"><span id=\"u7094\">Carl Jung explored the feminine and the masculine in a description of the energy we all manifest. Jungian psychologist James Hillman decreed that integration of these opposites is the goal of human development. But we live in a world that has repressed, confined, and submerged the female voice.<\/span>\u00a0 \u2014<span id=\"u7094-3\">Kathleen Hudson<\/span><\/p>\n<p id=\"u7094-11\"><span id=\"u7134\"><a href=\"http:\/\/wingspress.com\/book.cfm?book_ID=188\" id=\"u7128\" target=\"_blank\" class=\"readableLinkWithLargeImage\" rel=\"noopener\"><\/p>\n<div class=\"readableLargeImageContainer\"><img decoding=\"async\"   src=\"https:\/\/lonestarliterary.etypegoogle10.com\/sites\/lonestarliterary.etypegoogle10.com\/files\/description\/walker-nixon%2c%20her%20texas_cover.jpg\"  id=\"u7128_img\" \/><\/div>\n<p><\/a><\/span><span><a href=\"http:\/\/wingspress.com\/book.cfm?book_ID=188\" target=\"_blank\" rel=\"noopener\"><span>HER TEXAS<\/span><\/a><\/span><span> collects the work of a who\u2019s who of creative Texas women<\/span> into a beautiful anthology of written and visual art. Each editor provides an introduction with her own distinctive voice that collectively function as a prelude to the work contained therein, microcosms of the macro-macrocosm of Texas.<\/p>\n<p>\u201cCreative Nonfiction\u201d appropriately begins with the inspiration for this project and grande dame of Texas literary criticism, the late <span>Lou Halsell Rodenberger.<\/span> <span>Donna M. Johnson\u2019s<\/span> \u201cMockingbird Lane\u201d reminds us that there are many ways to be absent; \u201cThe Man at the End of the Hall\u201d is <span>Guida Jackson\u2019s<\/span> hymn to the plains and the \u201c&#8230;whining, twanging, nerve-jangling never-ending wind\u201d; <span>Christine Warren\u2019s<\/span> \u201cLet Her Roll\u201d is a paean to the Guadalupe River in a time when outlaw country \u201csounded the way Texas felt.\u201d<\/p>\n<p>The \u201cSong\u201d section opens with <span>Kathleen Hudson\u2019s<\/span> essay \u201cThe Tapestry Is Rich: Women\u2019s Voices in Texas Music.\u201d It includes <span>Tish Hinojosa\u2019s<\/span> American-dreaming \u201cJoaquin\u201d and four songs from the bracingly, refreshingly authentic <span>Amanda Pearcy.<\/span> The section includes notes on inspiration and process.<\/p>\n<p>The \u201cPoetry\u201d section features the triumvirate of San Antonio: <span>Rosemary Catacalos\u2019s<\/span> melancholy betwixt and between, <span>Sandra Cisneros\u2019s<\/span> I-will-survive women and <span>Carmen Tafolla\u2019s<\/span> nurturers with the \u201csashay sassy as salsa.\u201d It also includes <span>karla k. morton<\/span> capturing the lassitude of \u201cLate August in Texas, Fall is a myth,\u201d <span>Sherry Craven\u2019s<\/span> sexy romps and sensual communion, <span>Naomi Shihab Nye\u2019s<\/span> sacred work, <span>Rebecca Balc\u00e1rcel\u2019s<\/span> girls on the verge, <span>Anne McCrady\u2019s<\/span> pastoral elegies, and <span>Celeste Guzm\u00e1n Mendoza\u2019s<\/span> feasts.<\/p>\n<p>The \u201cFiction\u201d section showcases a common theme of building bridges and seeking connection. In <span>LaToya Watkins\u2019s<\/span> \u201cOutsiders\u201d two women reach out across the socioeconomic chasm; in <span>Sobia Khan\u2019s<\/span> \u201cThe Fallen\u201d a Pakistani grandmother living in Dallas is faced with cultural and religious challenges; and <span>Rachel Crawford\u2019s<\/span> protagonist in \u201cFirst Names\u201d returns to her childhood home because there are \u201c[g]hosts in the corners of the house I grew up in, ghosts on the road, ghosts walking around the valley\u201d in which she observes, \u201cI never feel lonely here.\u201d<\/p>\n<p>Visual art is interspersed throughout the book: <span>Deanna Newcomb\u2019s<\/span> iconic photographs of the wild beating heart of West Texas; <span>Tammy Cromer-Campbell\u2019s<\/span> devastating photographs of drought in East Texas; <span>Kathy Vargas\u2019s<\/span> haunting hand-tinted prints; <span>Ysabel de la Rosa\u2019s<\/span> quietly ambitious flowers; and <span>Danielle Kilgo\u2019s<\/span> tousle-headed joy in the form of a child.<\/p>\n<p>When I finished <span id=\"u7094-77\">Her Texas<\/span> I wanted to find a porch and a huge pitcher of iced sun tea and talk with these women long into the night. <span id=\"u7094-79\">Her Texas<\/span> speaks to the soul of Texans.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lone Star Book Reviews of Texas books appear weekly at LoneStarLiterary.com Carl Jung explored the feminine and the masculine in a description of the energy we all manifest. Jungian psychologist James Hillman decreed that integration of these opposites is the goal of human development. But we live in a world that has repressed, confined, and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-54","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/54","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=54"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/54\/revisions"}],"wp:attachment":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=54"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=54"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=54"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}