{"id":631,"date":"2018-12-31T13:09:38","date_gmt":"2018-12-31T13:09:38","guid":{"rendered":"https:\/\/wordpress.etypegoogle10.com\/?p=631"},"modified":"2018-12-31T13:09:38","modified_gmt":"2018-12-31T13:09:38","slug":"lone-star-book-reviewsby-michelle-newby-nbcccontributing-editor-64","status":"publish","type":"post","link":"https:\/\/wordpress.etypegoogle10.com\/?p=631","title":{"rendered":"Lone Star Book ReviewsBy Michelle Newby, NBCCContributing Editor"},"content":{"rendered":"<div id=\"articleHeader\"><\/div>\n<p id=\"u152996-18\"><span id=\"u152996-10\"><span id=\"u152997\"><span id=\"u152998\"><img loading=\"lazy\" decoding=\"async\" width=\"73\" height=\"74\" src=\"https:\/\/lonestarliterary.etypegoogle10.com\/sites\/lonestarliterary.etypegoogle10.com\/files\/description\/newby%2c%20michelle_headshot_sm.jpg\"  id=\"u152998_img\" \/><\/span><\/span><\/span><span id=\"u152996-11\">Michelle Newby<\/span> is contributing editor at Lone Star Literary Life, reviewer for <span id=\"u152996-13\">Kirkus, <\/span>freelance writer, member of the National Book Critics Circle, blogger at www.TexasBookLover.com, and a moderator at the 20th annual Texas Book Festival. Her reviews appear in <span id=\"u152996-15\">Pleiades Magazine, Rain Taxi, World Literature Today, High Country News, South85 Journal, The Review Review, Concho River Review, Monkeybicycle, Mosaic Literary Magazine, Atticus Review, <\/span>and <span id=\"u152996-17\">The Collagist.<\/span><\/p>\n<h1 id=\"u152996-28\">Lone Star Book Reviews <br \/>of Texas books appear weekly <br \/>at <span><a href=\"http:\/\/www.lonestarliterary.com\/\" target=\"_blank\" rel=\"noopener\">LoneStarLiterary.com<\/a><\/span><\/h1>\n<div id=\"u153005-46\">\n<p><span id=\"u153056\"><a href=\"http:\/\/www.hmhco.com\/shop\/books\/Good-as-Gone\/9780544920958\" id=\"u153048\" target=\"_blank\" class=\"readableLinkWithLargeImage\" rel=\"noopener\"><\/p>\n<div class=\"readableLargeImageContainer\"><img decoding=\"async\"   src=\"https:\/\/lonestarliterary.etypegoogle10.com\/sites\/lonestarliterary.etypegoogle10.com\/files\/description\/gentry%2c%20good%20as%20gone_cover%20sm.jpg\"  id=\"u153048_img\" \/><\/div>\n<p><\/a><\/span>TEXAS MYSTERY \/ SUSPENSE<\/p>\n<p><span>Amy Gentry<\/span><\/p>\n<p><span><a href=\"http:\/\/www.hmhco.com\/shop\/books\/Good-as-Gone\/9780544920958\" target=\"_blank\" rel=\"noopener\"><span>Good as Gone: A Novel of Suspense<\/span><\/a><\/span><\/p>\n<p>Houghton Mifflin Harcourt<\/p>\n<p>Hardcover, 978-0-544-92095-8 (also available as an ebook, an audio book, and on Audible), 288 pgs., $23.00<\/p>\n<p>July 26, 2016<\/p>\n<p><span>Anna, Tom, and Jane are sitting down to dinner one night<\/span> when the doorbell rings. Anna answers the door. \u201cThe first thing I see is her pale hair,\u201d thinks Anna, \u201cthen her face \u2026 there\u2019s something familiar about her.\u201d Julie Whitaker has been gone for eight years, kidnapped from her bedroom at thirteen, \u201cand just like that, the worst unhappens. Julie is home.\u201d As the family tries to move forward, treading lightly, fault lines are exposed. When Anna gets a phone call from a private detective, he adds fuel to her dawning suspicions, and she begins to question this Julie\u2019s identity. Is she or isn\u2019t she?<\/p>\n<p>Beginning with the exquisite tension of the prologue, <span><a href=\"http:\/\/www.hmhco.com\/shop\/books\/Good-as-Gone\/9780544920958\" target=\"_blank\" rel=\"noopener\"><span>Good as Gone,<\/span><\/a><\/span> Austinite <span>Amy Gentry\u2019s<\/span> debut novel, is by turns gripping, insightful, brutal, depressing, and hopeful. Gentry, a veteran of volunteer work helping victims of domestic and sexual violence, dives deep into murky psychological territory and sets up camp, empathically conveying the particular and disparate mindsets of small children, teenage girls, and grown women alike. Gentry\u2019s portrait of contemporary American girlhood \u2014 attempting to grow up in a culture that pounds them about the head and shoulders with the message that their bodies are commodities (but don\u2019t you dare presume the power to use it as such\u2014this is reserved for men) \u2014 is devastating.<\/p>\n<p>Anna, mother, wife, and university professor, is the practical one, the analytical one, the one who must believe, for her own sanity, that Julie is dead. Tom, father, husband, accountant, is the emotional one, the one who quits his job to devote his time to search efforts: collecting and administering donated funds for such things as reward money and billboards, creating Facebook pages and attending support groups. Jane, sister and troubled college freshman, was ten years old when Julie was taken, and the only witness. Gentry does a fine job of rendering the complicated relationship between Anna and Jane, who feels she\u2019s been grievously neglected.<\/p>\n<p>The fast-paced plot is carefully crafted, casually dropped hints are perfectly placed, details matter. Alternating narratives and shifting points of view demand close attention. The many startling plot twists are worthy of <span>Gone Girl<\/span> (with shades of <span>Elizabeth Smart<\/span>), the kind that confuse your brain as it struggles with learned cultural stereotypes that preclude possibilities, and then requires you to consider those possibilities. Gentry\u2019s ingenious technique of working backward from the present, all the way back to before the beginning, to reveal how Julie became who she is now is particularly compelling.<\/p>\n<p>In the end, <span id=\"u153005-41\">Good as Gone<\/span> is part thriller, part social critique, and wholly satisfying. I read Good as Gone in a single sitting because it wasn\u2019t possible to not.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michelle Newby is contributing editor at Lone Star Literary Life, reviewer for Kirkus, freelance writer, member of the National Book Critics Circle, blogger at www.TexasBookLover.com, and a moderator at the 20th annual Texas Book Festival. Her reviews appear in Pleiades Magazine, Rain Taxi, World Literature Today, High Country News, South85 Journal, The Review Review, Concho [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-631","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=631"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/631\/revisions"}],"wp:attachment":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}