{"id":89,"date":"2020-12-06T10:45:40","date_gmt":"2020-12-06T10:45:40","guid":{"rendered":"https:\/\/wordpress.etypegoogle10.com\/?p=89"},"modified":"2020-12-06T10:45:40","modified_gmt":"2020-12-06T10:45:40","slug":"199","status":"publish","type":"post","link":"https:\/\/wordpress.etypegoogle10.com\/?p=89","title":{"rendered":"Lone Star Listens: Antonio Ruiz-Camacho and the Serious Stuff"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Veteran journalist Antonio Ruiz-Camacho was named a Dobie Paisano fellow in 2014. His first book, <em>Barefoot Dogs:&nbsp;Stories<\/em>, was published this month by Simon &amp; Schuster and was selected as the Amazon Best Book of the Month for March 2015. Lone Star Literary Life caught up with him by email to talk with him about the writing life.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"u13669\">\n<div id=\"u13670\">\n<div id=\"u13681-119\">\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>LONE STAR LITERARY LIFE: Antonio, according to your author bio, you\u2019ve worked in every imaginable position in a newsroom. Can you tell us what those positions have been and in which newspapers and cities?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><a href=\"http:\/\/www.antonioruizcamacho.com\" target=\"_blank\" rel=\"noopener\"><strong>ANTONIO RUIZ-CAMACHO<\/strong><\/a>: The list is long, but I&#8217;ll name a few. I started as a copy editor at <em>Reforma <\/em>in Mexico City\u2013one of the most important newspapers in my home country. At <em>Reforma <\/em>I also worked as a reporter in the Arts &amp; Culture desk. I didn&#8217;t have a designated beat; I was what we&#8217;d call the firefighter reporter, covering all kinds of stories and breaking news other, more-seasoned reporters didn&#8217;t have the time to. I once had to cover a real fire\u2014one that had destroyed an alternative theater in downtown Mexico City. Another time I was sent, completely out of the blue, to a publishers&#8217; conference with the mission of chasing down Mexican literary giant Carlos Fuentes and getting his reaction on a topic that was, apparently, very important at the time, and which I can no longer recall. Later on, I was a foreign correspondent for Mexico City&#8217;s financial daily <em>El Financiero,<\/em> based in Madrid. For <em>El Financiero<\/em> I also covered natural disasters, poverty, and immigration, both in Mexico and here in the US, as special-affairs correspondent. I was editor-in-chief for the first digital-only newspaper in Latin America, called <em>Here in Texas<\/em>; I worked as a managing editor for a now-defunct chain of Spanish-language newspapers, called <em>Rumbo<\/em>. My most recent full-time job as a journalist was at Univision, where I oversaw digital content for the network&#8217;s local affiliates in Texas and California.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>As someone who grew up in Mexico and earned his bachelor\u2019s degree there, what would you like Americans to know about your native country?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">That both countries have much more in common than we might think, and that if you haven&#8217;t been to Mexico yet, you don&#8217;t know what real Mexican food tastes like.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>How have your real-life experiences informed <a href=\"https:\/\/www.indiebound.org\/book\/9781476784960?aff=LoneStarLit\" target=\"_blank\" rel=\"noopener\"><em>Barefoot Dogs<\/em><\/a>?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">People close to me, both friends and relatives, as well as many others I&#8217;ve met as a journalist, have suffered some of the expressions of violence depicted in the book, or have had to flee Mexico trying to run away from the wave of violence that has afflicted my home country in recent years. All of that has haunted me and left a mark in me as writer.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>In the piece you wrote for <em>Scribner\u2019s Magazine<\/em> you talked about how every story started with the image that came to you, and that you do not plot or sketch out your pieces. When you\u2019re ready to write, what is that process like?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">I do not think much when I&#8217;m writing; it&#8217;s a very visceral process. I just try to put on paper the images and voices that come to my mind as I see them and hear them, even if they do not make a lot of sense at the beginning, trying to follow my gut. My reason and critical eye enter the process very late in the game, in the last stages of revision, just to make sure that the story&#8217;s not missing anything essential.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>As a veteran of newsrooms, a Knight Fellow, a Dobie Paisano Fellow, and an MFA graduate of the New Writers Project at UT Austin, how would you answer the question that&#8217;s resurfaced in creative writing academic circles\u2014Can writing be taught?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Some of the elements that make a writer&#8217;s voice unique can&#8217;t be acquired in a classroom, but can certainly be polished, calibrated: certain sensibility, a view of the world, an electricity to the written word. There are other elements that can be taught indeed: a work frame in which to develop a story, a sense of discipline around writing, and especially, and I think this is as crucial for a writer as what purists or critics of creative writing programs may call talent, how to read, not only other writers&#8217; work, but especially your own. At least in my experience, my MFA made me a better writer because it helped me, above all, to become a more informed, more disciplined, more aware, wiser if you will, reader.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>Thank you for an astute answer! What advice do you offer aspiring writers\u2014particularly writers for whom English is a second language? How about writers who may never had had the opportunity of being in a creative writing program or an MFA program?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">You don&#8217;t need an MFA to become a writer\u2014and earning a degree in creative writing won&#8217;t turn you automatically into one. You don&#8217;t even need to be in total control of the language\u2013no one ever is, really, regardless of whether it&#8217;s your native or your second language. What you need is a burning desire to tell stories so overwhelming it keeps you up at night, a need to put those stories on paper so uncontrollable you feel you&#8217;d die if you couldn&#8217;t write. If that&#8217;s your case, congratulations: you&#8217;re already a writer. Now you need to show up for work and be very, very disciplined and very, very serious in your commitment to writing\u2014and to reading. Be ready to be rejected countless times and still be willing to keep going\u2013I once heard Rolando Hinojosa-Smith say that if you can&#8217;t stand rejection you shouldn&#8217;t be a writer, and he&#8217;s right. Read a lot, read serious stuff (some people think reading bad stuff equally helps; I disagree), read works that may feel intimidating at first because you may feel they&#8217;re above your head, read books that have passed the test of time\u2014as my friends at Brazos Bookstore in Houston say, &#8220;They&#8217;re classics for a reason&#8221;\u2014, and read them all as part of your work; read them slowly\u2013sometimes very slowly\u2013trying to pull&nbsp;them apart, trying to understand the decisions the author made. Also, and most importantly, write only to yourself, and embrace your own voice, whatever this one is, regardless of where it, and you, came from. Everything that has made you self-conscious about yourself all your life\u2014about your worldview, your background, your shortcomings and challenges\u2013is what eventually will make your voice stand out in the crowd\u2014it&#8217;s actually the only thing that can make your voice distinctive.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>Which authors\u2019 work do you admire? Who are some of your favorite Texas authors?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Jos\u00e9 Emilio Pacheco, Jorge Ibarg\u00fcengoitia, Javier Mar\u00edas, Sherman Alexie, Manuel Puig, Joan Didion\u2014too many to count. As for Texas writers, some of them were born here, others are Texans by choice: Oscar C\u00e1sares, Ben Fountain, Elizabeth McCracken, Sandra Cisneros, Stephen Harrigan, Frank Dobie.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>What would you like readers\u2019 takeaway experience to be from <em>Barefoot Dogs: Stories<\/em>?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">I hope they have fun reading it. My main aspiration as a writer is that at least one of the characters in my stories will stay with them.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>Can you tell us a little bit about your next project?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">I&#8217;m working on a novel that moves between Central Texas and Northern and Central Mexico, set in the late nineties.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\"><strong>Now that you\u2019ve spent some time in Texas\u2014could you describe your favorite, quintessential Texas meal?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:16px\"><span style=\"font-family:Times New Roman,Times,serif\">Barbecue ribs with coleslaw and potato salad, followed by a scoop of Mexican-vanilla ice cream with fresh strawberries from Amy&#8217;s. And a Shiner, please.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Interview with debut author&nbsp;Antonio Ruiz-Camacho<\/p>\n","protected":false},"author":1,"featured_media":88,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[229,53,30,8,15],"class_list":["post-89","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-authorinterview","tag-interview","tag-lonestarlistens","tag-lonestarliterarycom","tag-texasauthor"],"_links":{"self":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=89"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/posts\/89\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=\/wp\/v2\/media\/88"}],"wp:attachment":[{"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=89"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=89"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.etypegoogle10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}