Lone Star Book ReviewsBy Michelle Newby, NBCCContributing Editor

Michelle Newby is contributing editor at Lone Star Literary Life, reviewer for Kirkus, freelance writer, member of the National Book Critics Circle, blogger at www.TexasBookLover.com, and a moderator at the 20th annual Texas Book Festival. Her reviews appear in Pleiades Magazine, Rain Taxi, World Literature Today, High Country News, South85 Journal, The Review Review, Concho River Review, Monkeybicycle, Mosaic Literary Magazine, Atticus Review, and The Collagist.

Lone Star Book Reviews
of Texas books appear weekly
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Joy Jones, a native Texan, lives in Galveston with her husband, James Nelson. Professionally, Dr. Jones is a retired teacher with more than thirty years of experience in Texas and New Mexico public classrooms. As an educator, she held both state and university positions for the New Mexico Department of Education in Santa Fe, and Northern Arizona University in Flagstaff. She holds a master’s degree in educational leadership and a PhD in transpersonal psychology. She is the author of four books (two narrative nonfiction, one fiction, and one historical fiction).

HISTORICAL FICTION

Joy Jones

The Last Madam: A Legend of the Texas Chicken Ranch

Treaty Oak Publishers

Paperback, 978-1-943658-06-0 (also available as an ebook), 238 pgs., $11.99

March 24, 2016

Edna Arretha Milton is barely sixteen, with no education, when she arrives at her brother’s house in California, having just escaped Oklahoma and her itinerant, hardscrabble life as the daughter of sharecroppers, only to find that her brother has promised her as a bride to one of his fellow oilfield workers. With no say in the matter (“How could this man be in charge of me so completely?”), Edna is handed over like excess baggage, but she tries to make the best of things with her new husband. When she lands in the hospital after a particularly brutal beating, the police step in and Edna secures a divorce and, eventually, a job in a restaurant kitchen. After a love affair that ends when the pilot is killed in the Pacific Theater of World War II, Edna decides she’s going to take control, and never depend on a man for her very life ever again.

She washes up in “the Free State of Galveston,” where gambling, liquor, and prostitution are openly tolerated. The Balinese Room and the Turf Club are hopping, and the Maceo crime family holds court. Edna eventually makes her way to the Chicken Ranch in Fayette County, Texas, buys the place, and becomes the madam before the Chicken Ranch is finally shut down for good in 1973.

The Last Madam: A Legend of the Texas Chicken Ranch is Joy Jones’s historical novel of the life and times of Edna Arretha Milton, the eponymous last proprietress of the nationally renowned Chicken Ranch outside La Grange. This isn’t Pretty Woman nor is it The Best Little Whorehouse in Texas. The Last Madam is an entertaining but serious treatment of material too often sentimentally romanticized.

Told in first person, Edna’s narrative is immediately engaging. Edna’s goals are a place to call home and control over her own life. She wants to be a businesswoman. With no education and only unappealing options, she chooses the one that she believes offers her the most independence and a reasonably comfortable living. As Edna says, “It’s a sorry way to what you want to be.”

The Last Madam is briskly paced and holds the reader’s attention until the last fifty pages or so, when the pace lags considerably. A disproportionate number of pages are given over to verbatim reprints of historical articles from Texas Monthly and the like. As is to be expected considering the subject matter, there are a few graphic passages, but Jones largely treats her characters with dignity. Her research sources are listed in the back of the book and include historians, the usual nonfiction works, and magazine articles, as well as the less-expected numerology chart of Edna, drawn up in New Mexico late in her life.

Though The Last Madam has its moments, in the end it is a fairly average novel of a fairly extraordinary life.


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